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• Google Business View pricing is set by the coverage size of your location.

• Pricing of commercial photography services, other than Google Business View, vary from situation to situation.  Call or send a few ideas about the project you're working on, what you're looking for, and I'll give you a honest, fair estimate.      


Fresno, Ca
United States

559 840-6222

Christian Parley is a Commercial Photographer, Editorial Photographer, an authorized Google virtual tour photographer and a Facebook 360 Photos photographer based in Fresno, California.

He is an award-winning professional photographer with over 19 years experience, 11 of which as a photojournalist with The Fresno Bee newspaper and McClatchy publications.  

His editorial photography work has appeared in the Los Angeles TimesSan Francisco ChronicleThe Christian Science MonitorNBC NewsESPNUSA Today and various Associated Press member outlets.  

•  As an established commercial photographer, he creates visual content for institutional and emerging companies' websites, social media, trade publications, annual reports, corporate lifestyle and events (trade shows, conventions, product launches, ground-breaking ceremonies, award presentations), and personal bio photos including headshots and environmental portraiture. 

Commercial clients include:  Hinds Hospice  •  DragadosUSA/Samsung  •  AGCO/Massey Ferguson  •  Ithaca College  •  Hiebing  •  Schneider  •  ConEdison Solutions  •  Mac Tools  •  Quiring General

•  He is also an experienced Google Trusted Photographer who has been trained, certified and authorized by Google to create high-quality, 360 virtual tours for businesses. These highly-acclaimed Google virtual tours appear prominently in Google Search and Google Maps

Google Business View virtual tour clients include:  Clawson Motorsports  •  Fig Garden Optometry  •  Toyota Motors USA  •  Hobbytown USA  •  Audio Innovations of Fresno  •  Mercedes-Benz of Fresno  •  Vino & Friends Bistro  •  J&E Restaurant Supply  •  Plaza Ventana  •  The Grand at 1401  •  Fresno Piano Gallery  •  Swiggs  •  Piemonte's Italian Delicatessen  •  Bella Pasta  •  Fresno Suit Outlet  •  Aram's Auto Repair Center  •  Bell Memorials & Granite Works  •  Groppetti Automotive  •  Fresno Chamber of Commerce  •  Clovis Chamber of Commerce  

The Three Steps on How to Price your First Commercial Photography Photo Shoot

Parley's Blog

The goal of the ParleyShot Commercial Photography blog is to share expert knowledge, pass along informed opinion and support local businesses in Fresno and Tulare Counties

The Three Steps on How to Price your First Commercial Photography Photo Shoot

Christian Parley

Starting out as a commercial photographer in today's "low barrier to entry" world of photography is a very difficult undertaking.  For every thousand aspiring commercial photographers, I'd bet ten to twenty make a living from their photography.  

The task of getting work is particularly tricky when you are just starting out.  The want of a substantial, established looking photography portfolio is where the new professional photographer can make their first and possibly career-defining mistake -- giving away their services for free or dramatically reduced pricing just to build a body of work. The resulting problem becomes, those clients and their colleagues now know what price you'll work for (trust me, the circles are small, and they all talk to other each other).  So how do you set your fee for your first photo shoot?

Step One:  Establish your own base fee.  Also known as a 'day rate' or 'per diem' rate.

To establish a base fee, you have to know your cost of doing business. It's essential. And once you see how much money and time you've spent, asking for a fair price for your work gets easy. 

The things you need to account for are:  The cost of your photo equipment, accessories, rentals; computer - hardware and software;  equipment repair;  the monthly charge for your internet and mobile phone;  office space rent;  website design, hosting and domain registrations;  vehicle expense - payment, insurance, maintenance;  office supplies and furniture;  postage and shipping;  professional development and education;  advertising and promotion, professional dues and subscriptions; business and equipment insurance;  health insurance;  legal and accounting fees;  business licenses;  self-employment taxes;  utilities;  travel costs and "misc" expenses. 

The National Press Photographer has a great calculator that can help you with these. Check out the NPPA's Cost of  Doing Business Calculator at their website. Once you have an idea of your day rate, you can apply it to the time involved for each project.


Step Two:  Before giving a "ballpark" price, find out more about the project by discussing it with the client. 

This accomplishes several things.  For a realistic quote, you'll need to accurately know how much time is involved to calculate the base fee.  Discuss the physical nature of the shoot.  Where it will be shot, are there multiple locations, how much travel is involved, will you need more equipment or assistance in a stylist or a "grip".  For example, can you shoot multiples without going to a new set (resetting lights).  Build a tentative shot list that will help guide you through the time portion of the estimate.  (And don't forget the time it takes for post-processing. It's generally accepted that for each hour of shooting time billed there is at least a half-hour of post-production. You can bill that at a lesser rate, if you like, and you can always hire out the post work and consolidate that into your CODB.)


Then discuss what the final imagery will be used for and what kind of budget they were looking at for this project.  The usage for a large ad campaign is different from an in-house newsletter even though you may photograph it in the same, high-quality way.  Set  the usage rights in writing.  Often, once the final result is seen, a client will want to use it in more places.  If you've written in exclusive, limited usage rights, then when they'd like to use it for more properties you can negotiate another fee for those rights.  It's the fair, accepted practice and it actually saves the client time and money because they don't have to go through the entire process again.  For a large, national ad campaign, I charge two to three times my base fee. It's considered the industry standard.  

Step Three: Prepare the Quote (also known as a proposal request)

Once you have figured out your expenses, time and usage, now you put it all down on the proposal request.  Write down who the client is and all their contact info, including address. Describe the photography services you will be providing, in detail. Is it a corporate event, a product shoot, an environmental portrait, an annual report, what shots are expected? Put the shoot location(s) for the photography project, the date(s) and the time(s).  Write down the usage rights!  Are they exclusive or non-exclusive, limited or unlimited and how long are those rights granted? How many photos will be given to the client in the final product? And of course the service fee. 

If the work that you have is good, and you present yourself professionally, even if you are starting out, you'll set yourself apart from the crowd.  Photographers are notoriously flighty, don't be.
 
 



 


©2016 Christian Parley Commercial Photography